The first thing I wanted to try was running synthesizers through my guitar amp using the USB port, and then recording the output. That's what I did for all of the synth parts in this track. I wrote a few notes in Reaper's MIDI editor, looped it while adjusting the guitar amp, and then recorded what I came up with. I mostly fed in simple sine waves and triangle waves and relied on the amp's built in effects and distortion to color the sound. I'm pretty happy with the results, and I could totally see myself doing this as part of a more complex arrangement to add variety to my synth lines.
Is it really better than using an amp simulator though? Maybe, maybe not. It's certainly less convenient, because I have to plug everything in and do all the routing instead of just adding a effect to the track. But the process of adjusting physical knobs to dial in the sound I want is pretty cool, and if the final product sounds this good it's probably totally worth it.
After I had all my synth parts in one track, I started editing them together into a song. I pulled some drums from LMMS, and programmed a hi-hat pattern in Reaper. This track probably didn't need a guitar solo, but I wanted to make sure I could actually get some practice doing a normal reamping. I recorded the solo directly from the guitar into my computer, and then played it through the guitar amp using the USB port. I was able to dial in my tone to fit in with the track, and I also reamped it an octave up and an octave down. While I was at it, I decided to record one of the synth parts on guitar as well.
Prime Suspect was a bit of an experiment. I wanted to know what would happen if I tried to make music in a completely different way than I usually do, and the results sound pretty nice. It's not my most complex arrangement or catchy song, but I still like it as a little jam.
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